Article from Ottawa Citizen on Thursday,
February 28, 2008
Community Theatre thrives in West Quebec
Fred Ryan,
Citizen Special
Published: Thursday, February 28, 2008
Every
cinema marquee on both sides of the Ottawa River delivers the
message that movies have changed.
Not only
are they still popular, more as DVDs than on the big screen, and
there are more exotic-made films, but we have animated movies
more than ever before. This has become a genre, the combination
of animation and "real" acting, and the influence of video
gaming has drawn the attention of critics and movie buffs.
The
Outaouais has its own annual film festival which has grown year
after year, and which specializes in new Québécois and Canadian
movies.
There is a
lot of talk in Ottawa and Gatineau right now of funding for a
new complex of film studios and maybe sound labs, which could
likely be built in Gatineau for fiscal reasons.
In a
totally different fiscal world is theatre. And it, too, is
blooming in the Outaouais.
Live
theatre is a one-step-at-a-time proposition, and often the steps
go as easily backwards as forwards, depending upon the year, the
economy, and the season. And especially depending upon the
leaders, the writers, the actors, and audiences. Live theatre
has its high and low tides more so than many of the arts. And
that's the reason it's a good barometer of a community's
imaginative health. West Quebec has a long history of community
theatre, and several of those histories continue, as with groups
in Maniwaki and Shawville.
There's
also a new level of accomplishment showing, since what is
driving the two most dynamic groups, The Wakefield Players, and
the Aylmer Community Theatre Company, ACT Company, are not links
to institutions such colleges or churches but a pool of local
expertise, talent and pure energy. The Wakefield Players is a
very happy conjunction of forces, counting several published
writers, experienced producers, film-makers, directors, actors,
plus a proactive and creative audience. ACT Company, less
talent-heavy, is driven by enthusiasm, energy and smart
judgment.
Wakefield
likes its farces and shares enjoyment in comedies with most
other communities, including Aylmer. Both groups have shown they
can fill a house, and then some. They know their audience; they
know their material; and they have bang-on instincts for
promotion.
Heritage
College, in Hull, also has a theatre group, the Bacchus Players,
which has an excellent reputation, and, of all the theatre
groups, is not afraid to take on a meaty subject occasionally.
They are doing Tennessee Williams this year; no one else is.
This is why we love students.
A theatre
company's progression into maturity is not a necessarily turning
to different types of productions, like staging something
serious or developing a local star phenomena, but the maturity
shows in how the theatre itself is used.
The
Wakefield Players have demonstrated a social consciousness right
from the start in not only bringing the community into their
presentations but in pushing themselves out into the community.
As individuals many of the troupe are involved in social
efforts, and now the Players are teaching their skills of
communication and expression to their public.
ACT Company has reached this same level
of sophisticated community relations. Not only does the company
provide entertainment, and provide themselves with a lot of
stimulation, they have held workshops on a theatre's
communication skills, how to produce, direct, and act.
These are signs of maturity,
self-confidence, and of social engagement. This is what every
community needs, and these qualities are so valuable to a
community because they come from within that population. Theatre
groups grow from within a community outward. Their success on
any level is a boost to that whole community.
There are plenty of West Quebec towns
in need of a big boost, especially since the crash of forestry.
There's probably a play or two in this great, dramatic
socio-economic event.
There's a lot
of drama in the Outaouais these days.
Fred Ryan is the publisher of the
Aylmer Bulletin, the West Quebec Post and the Pontiac Journal.
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